
Two short operas that got their premieres at the Kennedy Center in Washington, D.C. feature Black female protagonists.
January 14, 2025 by
Two short operas that got their premieres at the Kennedy Center in Washington, D.C. feature Black female protagonists.
January 7, 2025 by
The rising star of the British Kanneh-Mason family offers vigorous Chopin, serene Liszt and a stirring spiritual at the trusty Tiny Desk upright piano.
December 16, 2024 by
NPR Music’s classical expert is an omnivorous listener, who treated the music of 2024 as sustenance for a year of zigzagging emotional highs and lows.
December 9, 2024 by
Discover a wide range of this year’s most compelling classical music, from symphonic thrill rides and soaring voices to delicate baroque suites, ambient adventures and one groove-laden masterwork.
December 7, 2024 by
Olivier Latry is Notre Dame Cathedral’s longest-serving organist. Just days before the church’s gala reopening, after the destructive fire in 2019, he talks about the refurbished instrument — it holds 8,000 pipes — and its role in the church.
December 5, 2024 by
The Grammy winner and former Late Show bandleader unravels the crisscrossing threads of musical lineage from Beethoven’s own personal blues to the musical art form that undergirds Batiste’s Louisiana roots.
December 2, 2024 by
You can’t always know that it’s a great year for new music while it’s happening, but there was a sense from the very start of 2024 that we were in for a ride.
November 14, 2024 by
Composer Laura Kaminsky’s intimate new opera, Lucidity, centers on an aging opera singer, portrayed by the 80-year-old soprano Lucy Shelton, dealing with the effects of memory loss.
November 13, 2024 by
The youngest ever winner of the Van Cliburn Piano Competition makes our trusty upright piano sound like a 9-foot grand in music by Liszt and Tchaikovsky.
November 6, 2024 by Justin Bowers
NPR’s A Martínez speaks with Dutch brothers Lucas and Arthur Jussen about their new EP, Rêve, featuring piano duets by lesser-known composers influenced by — or rejecting — French Impressionism.